PHOTOS Dook PRODUCTION Annemarie Meintjes WORDS Bibi Slippers
We showed you the empty shell of a small villa in Richmond, Johannesburg designed by architect Jo Noero. Here, we take a look at how Nicholas de Klerk has turned it into a wonderfully eclectic home.
Nicholas De Klerk is not afraid of anything… except of being ordinary. Looking at his house and listening to his stories, it soon becomes apparent that he has nothing to fear.
“As a young boy I would sit on my grandmother’s veranda in George for hours, just looking at the neon lights. I’ve always yearned for the city, and I always thought I’d want to live in a flat. I searched for a house for two years by climbing onto the roof of every property I was interested in. As soon as I got on the roof of this house, I knew I had found what I was looking for.”
What Nicholas had been looking for was a space he could transform into “a loft on a plot”. His brief to architect Jo Noero was based on the design of the media centre at Lord’s Cricket Ground in London – he loved the idea of adding something to the top of an existing structure. Nicholas wanted his house to channel the simplicity of Japanese architecture but with some of the panache of Art Deco. “I believe in small and original.”
Together, Jo and Nicholas have achieved nothing short of a feat of practical magic.
Nicholas has put his distinctive fingerprint all over his house – quite literally. The front and back doors are embellished with a massive version of his index fingerprint, while other indicators of his identity characterise the house in the same bold way. Splashes of chartreuse, his favourite colour, are found throughout the house, and his sense of humour is reflected by quirky elements – like a set of shiny limegreen garden gnomes in the kitchen – and collections of various descriptions. “If I happen to have more than two of something, I immediately start collecting more. This isn’t an impulse I can explain; it’s just the way I am.”
Whereas the walls boast a serious collection of South African art and ceramics, the bedroom plays host to a happy band of artist’s mannequins and a specially built cabinet displays a collection of V-shaped pressed glass vases. But the intense commitment to his collector’s impulse is certainly best encapsulated by his incredible collection of Coca-Cola memorabilia.
The top-floor living room doubles as a Coca-Cola museum. The cans, bottles, toys, clothing, artworks and other items featuring the distinctive red-and-white Coca-Cola logo are displayed on shelves designed especially for this purpose. The mass of objects could potentially have been a cacophonous and chaotic shambles, but Nicholas designed the display to form a solid wall at one end of the room that gently fades into the rest of the space, reading as a single design element that draws you into its intricacies without dominating the rest of the space or taking anything away from the magnificent views.
The house is a marvellous merger of high and low art and pure playful mischief – very much like its owner.
Have a look at our Q&A with Jo Noero here.