WORDS Graham Wood PHOTOS Elsa Young
A creative, hands-on couple transformed an ordinary house into an enchanted wonderland of interconnected spaces with inspired design combination and easy-going glamour.
Rhys and Meg Ralph hadn’t intended to live in this house. Rhys, a property developer, originally acquired the derelict stand with the intention of “flipping” it. Hidden away in a quiet nook in Parkhurst, opposite a park with the Braamfontein Spruit running through it, the setting was beautiful, but the stand had been vacant for some time when he took possession and had clearly been used by local builders as a dumping site. At that point, the park was, as Rhys puts it, a “no-go zone”.
While clearing the rubble and building a house, Rhys took on the rehabilitation of the park, too.“We ripped out all the Spanish reed,” he recalls – the invasive species that choked the space. “I planted grass. I put in trees and benches. We secured it, and got rid of all the rubble.” He also added signage, bins, benches, swings and a trampoline. By the end, it had become a “pretty spectacular little park”. His efforts gave this somewhat-neglected corner of the neighbourhood a significant lift, and he and Meg soon realised the property had the potential to be quite special – special enough to live there themselves. The went so far as to give it a name – Cartref, inspired by Rhys’s Welsh roots. “It’s the Welsh name for home: a place of feeling, family, laughter and love,” he explains.
Owners Rhys and Meg Ralph’s daughter, Lily, relaxes on the sofa of the glassed-in terrace of their Parkhurst home, which features an enormous fireplace. The glass doors can slide away to open it to the garden completely. On the right are Mara chairs, which Meg designed for Marataba Mountain Lodge. The sculpture is by Lionel Smit.
After moving in with their daughter Lily, they started making adjustments – a skylight here, a door or porthole window there – and when their second daughter, Scarlet, was born, they made a more substantial alteration, adding a new bedroom suite and an upstairs room that Rhys uses as an office. They also moved the swimming pool, and built a covered terrace with a vast fireplace inside and a roof garden above.
“It was all ad hoc,” Rhys says. “We need another hidey-hole. We need another nook.” Meg is an interior designer, known best for her work on lodges and hotels, including several at Lion Sands in the Sabi Sabi Private Game Reserve, Madikwe and Marataba, and the Cape Cadogan in Cape Town. They joke that whenever Meg showed him an idea for a project she was working on and it caught Rhys’s eye, “I’d go and get it done,” he says. And so, bit by bit, the house and garden morphed into a wonderland of interconnected spaces. Everywhere, rooms open onto courtyards or lead up to rooftop terraces. For every indoor room, there’s an outdoor room, sometimes to the side, sometimes above, sometimes below.
Like the house itself, the interiors came together gradually. “It was never really intentional,” reflects Meg. She doesn’t seek out furniture with a preconceived idea in her mind. “I fall in love with pieces,” she says. What she refers to as “stuff that we’ve collected over the years” has been eclectically combined. Heirloom pieces rub shoulders with Mid-century Modern and contemporary designs. Almost inevitably, prototypes of several of her own furniture designs are dotted throughout. Unexpected combinations and serendipitous pairings abound, layered with rich textures and tactile materials. The result is a kind of easy-going, organic glamour that can only come of the constant refinement of a designer’s own home.
The abundant greenery of the garden – a boon of living so close to a stream – has been encouraged to cover the house. “My vision was to green all the walls,” says Meg. Tickey creeper and Virginia creeper envelope the courtyards. Creepers also make their way into the glassed-in terrace and along the underside of the pergola at the entrance, which has an enchanting effect in the way it blurs indoors and out.
Rhys calls it a “lifestyle home”, perhaps the result of borrowing ideas from the lodges and hotels that Meg designs. But more than that, what the expression captures is a sense of endless possibility. You could have lunch at the long outdoor tables under the trees, or on the terrace, or in the open-plan living room. There’s a firepit, and a roof terrace where the Ralphs screen films with a projector on summer nights. (Often, an owl will come to perch on a planter while they do.) You can lounge by the swimming pool or retreat to your own private courtyard. They refer to it as their “bubble” – and it is indeed like a self- contained world that you cross into through the door in the wall. It’s the perfect retreat. | megralphspaces.co.za
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