Melides House

Built on the Portuguese coast, this contemporary house confidently embraces both modernism and the landscape to be a refuge in which concrete converses with the local vegetation.


WORDS AND PRODUCTION Laurence Dougier PHOTOS Nicolas Mathéus


Perched on the hills of Melides on the Portuguese coast south of Lisbon, the house unfolds in sharp, defi ned contours of precise lines and natural light. Created by French architect and designer Christophe Bernard, the building explores a sensitive approach to its place among the indigenous flora – not an easy accomplishment given its boxy aesthetic.

Studio Christophe Bernard has been able to manage the interaction of the building’s volumes with the majesty of the landscape by following the land’s inclines and inviting nature in at every angle. “The site spoke for itself,” says Christophe. And viewing it from an east-west orientation, you get a real sense of the what he’s done: natural light flows through the spaces, regulating the interior temperature, while hanging gardens extend the structure, subtly blending house and vegetation.

Surrounded by almost-untouched nature, the home sets its contemporary volumes – tinged in red and white – in dialogue with the lush vegetation. Palm trees, agaves, olive trees and climbing vines frame and crown the building.
Surrounded by almost-untouched nature, the home sets its contemporary volumes – tinged in red and white – in dialogue with the lush vegetation. Palm trees, agaves, olive trees and climbing vines frame and crown the building.

French-born Christophe is based in Lisbon, and the home is true to a contemporary Portuguese school of architecture that favours simple lines and rigorous volumes. “Moderated Modernism” would be the most accurate descriptor. The influence of legendary Mexican architect and engineer Luis Barragán – whose desire to create emotional architecture led to his bold, chromatic approach to functional Modernism – is visible too, with certain volumes dressed in solar, mineral and oceanic tones. A water feature with deep-red walls frames the north patio, creating a warm, sculptural play of contrasts.

Outdoor dining is a family affair at the walnut table from the Muda collection by Christophe, with Facto chairs by Patrick Jouin for Fermob.
Outdoor dining is a family affair at the walnut table from the Muda collection by Christophe, with Facto chairs by Patrick Jouin for Fermob.

Inside, the building reads as a continuation of the exterior’s dramatic panorama. The east-facing bedrooms remain cool and intimate, while at the heart of the home, the north-south living room is organised around a double-volume fi replace clad in a polychrome bas-relief by ceramic artist Maria Ana Vasco Costa. Three trees planted directly into the fl oor enhance the sense of the garden extending into the interior. A spiral staircase leads to the main suite with an expansive marble bathroom, and a terrace that overlooks the valley and the ocean.

Much of the furniture has also been designed by Studio Christophe Bernard, using local materials – Estremoz marble, local stone, walnut wood – although some of the pieces were sourced in Brazil. The stone tables in the living room, the wooden island and dining table in the kitchen, and a main bathroom clad entirely in marble integrate harmoniously with the overall design.

Christophe has cleverly created a quiet space within these bold volumes – a discreet manifesto of contemporary Modernism that’s determined as much by the path followed by the sun as it is by the materiality of concrete and wood. Each volume carves out a perspective, each opening captures a fragment of horizon, and a calming dialogue ensues between the home and this singular site. |
@christophe_bernard_studio


Don’t forget to sign up to our weekly newsletter for the latest architecture and design news.