Morag Myerscough (featured here and here) has created a brand new installation in Coventry, UK, entitled Endless Ribbon, transforming an interactive shopping mall into a kaleidoscope of colour.

Drawing inspiration from the Coventry Cathedral, Morag used facets from the stained-glass window by John Piper and Patrick Reyntiens, bringing colour and the use of light throughout the retail and public space.

The ribbon has no start or finish and wraps around the inside of the building, emanating a warm glow, even when the sun is not shining.

“I experienced a desire for colour in the city and I wanted to get it in the streets. Plus the simplicity of light and colour is always so magical in every location. Community is at the heart of every project I do,” Morag Explains about the project. We wanted to change perceptions of space by transforming the canopy walkway with fresh bold colour and an abundance of plants. Working with the food traders and surrounding shops, together we wanted to make a new destination for everyone that brings joy to an area that needed some love.”

(h/t) designboom.com

Looking for more on art or design? Take a look at Yinka Ilori ‘s colourful basketball court.

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Award-winning UK designer Morag Myerscough and local art collective Ilukuluku recently collaborated on a project to bring instant joy to a Cape Flats school.

Good things can come from bad situations: when Covid-19 arrived and local art collective Ilukuluku’s long-planned project for 2020’s AfrikaBurn event could no longer go ahead, the collective (together with inspirational UK designer Morag Myerscough) found a way to create something with a wonderful legacy anyway.

In partnership with Bright Sparks – which provides space for extramural creative play for children aged 1 to 6 years, and is focused on improving educational outcomes for children in under-resourced communities – they spent part of the lockdown upgrading a Cape Flats school.

Ilukuluku mobilised a team of volunteers, including a consulting architect, designers, and renowned mural painter Tim Bopper and his team. Soon the school – Disneyland Educare in Tuscany Glen – was being given a makeover that included extensive structural repairs and a dazzling new paint job.

Award-winning designer Myerscough created the murals that now adorn the façade, entrance and interiors of the school – they incorporate the bold geometric patterns and bright colours for which she is so well-known around the world.

The resulting space inspires and stimulates learning; it also feels safe, nurturing and playful. The upgrade was completed in less than two weeks while the school was vacant due to the lockdown, and on a minimal budget too – all the paint was donated by Dulux.

“This project has been dear to my heart since its inception in February 2018, when I first met with Morag to talk about the Temple of Curiosity for AfrikaBurn,” says Ilukuluku creative director Shaun Sebastian. “Countless hours have gone into preparing the artwork, and the crew have made massive personal sacrifices.” School principal Priscilla Collison adds, “This is a new beginning for us.”

Looking for more on local design? Take a look at the Elements Library by Hubo Studio.

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London-based multidisciplinary designer Morag Myerscough, founder of Studio Myerscough, is heading to Cape Town to speak at the annual Design Indaba Conference, running from 21 – 23 February 2018.

Here, she chats to VISI about typography, colour in design and how her upbringing inspired her creative journey.

What’s your design motto?

My mantra is “MAKE HAPPY THOSE WHO ARE NEAR AND THOSE WHO ARE FAR WILL COME”.

What role does colour play in design?

Colour is my form of expression. I use colour to evoke emotion and mood. I have just recently completed a project that I have been working on for over four years called “Mood Tweets”. For two years I only spoke in colour on Twitter. I would tweet the colour I felt in the morning and then the colour I felt in the evening. I was commissioned to make a 200-metre art piece for a hospital in Sweden and so I decided to map a year of my tweets to form the basis of the piece. There was a total of approximately 60 colours.

I love how colours respond to each other and particularly how people respond to colour. The use of colour is very much based in the culture of countries and how that filters through into people’s bodies. My particular love is combining neon colours with other colours. I love how your eyes have to adjust, and at night with just the use of a black light pointed on the front, the whole piece becomes illuminated.

Typography is often present in your installations. What’s your favourite font?

Now that would be telling… I like a Condensed Bold San Serif – with drop shadows and layers.

How did your upbringing inspire your career as a creative?

I was brought up in a very bohemian family in a multi-cultural area in London called Holloway. My father was a viola player, classical musician and session musician – he played with The Beatles, Bob Marley and all the greats at the time (British session musicians were in very high demand in the ’60s / ‘70s). My mother was a textile artist – she was always drawing, weaving, dying fabric with vegetable dyes, cooking and cleaning, while my father was practicing or making various things. My mother carried on creating and exhibiting up until she died recently at the age of 85. My French grandmother, who lived next door, was a milliner for the Royal designer Norman Hartnell, while my grandfather was a musician on the Queen Mary. I have two sisters, Seona, a solicitor, and Ishbel, an artist.

Our family was very small and very intense. I was very good at textiles when I was very young but adamantly did not want to do the same as my mum, so went a different route.

My father would have liked us to go the academic route, but they let us make our choices and I decided that art school was for me. I went to the Saint Martins School of Art and the Royal College of Art. My family definitely set the scene for my future.

Which of your projects have you most enjoyed working on?

Every project comes with lots of joy and challenges. I always look forward and hopefully move forward, so I love the project “EMBRACE THE UNKNOWN” – the piece for the Design Indaba Festival I have worked on with Luke Morgan. I love the challenge of working in different countries and working with people who really get what I am trying to achieve.

What are you looking forward to at Design Indaba 2018?

As I am so busy all the time, I love going to a festival when I can sit and listen to as many speakers and see as many events as possible. I love hearing what people have to say and it gives me thinking time. I have never been to Cape Town before so I am excited to get to know the city, meet people, listen, learn and enjoy.

View more of Morag’s work on Instagram. For more on this year’s Design Indaba Festival, check out our post of what you can expect, as well as our video interview with founder Ravi Naidoo, here.

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