A new guard of South African abstract artists has us captivated. From this impressive pack, we selected four standout creatives whose dynamic and thoughtful work will, no doubt, excite you too.

THULI LUBISI

This talented printmaker’s graphic works are a celebration of both her cultural background and her craft.

Why abstract art?

While I was a student at Artist Proof Studio, most students and graduates did realistic artworks. When I got to third year, I told myself that I wanted to move away from the traditional way of printmaking, which led me to explore and combine different techniques and elements when printing, resulting in abstract works.

Career highlights?

Having my artworks commissioned for various projects, most notably the recently completed Leonardo building in Sandton, and exhibiting at art fairs while I was still a student.

Creative people who inspire you?

Designer Laduma Ngxokolo and artist Esther Mahlangu. Although each focuses on his or her own tribe, I love the aesthetics found in their creations, how they tell their stories, and their way of showcasing what South Africa and Africa have to offer to the world through art.

Follow lubisithuli on Instagram.

SANDILE RADEBE

This Joburger is a graffiti and traditional artist whose paintings and sculptures are a bold exploration of culture, and the way our world is signified through symbols, rituals and other practices.

Why art?

I’ve been drawing ever since I can remember. My involvement in art became more serious when, one day, as I was doodling in a linguistics lecture, a friend said they would love my sketches at art school. I didn’t believe her. We took a bet. I applied and got accepted. Lost the bet! The rest is history.

Is Zulu culture an influence on your work?

Yes. It’s a slight shift from urban culture to urbanised Zulu culture. It was a natural progression in exploring elements that constitute my identity. I translate Zulu iconography onto maquettes for public sculpture, drawing from amabheqe, izinkamba and neziqhaza, and expanding the purpose of the beadwork, beer vessels and earplugs to reframe them as art. Through this process, I draw attention to different knowledge systems and their relevance.

And graffiti?

Graffiti is one of the lenses I use to read the world. It definitely influences my choice of spray paint as a medium, and preference for working in public spaces and collaborating with others.

Follow sandile_radebe_art on Instagram.

KARLA NIXON

This Durban artist’s work is diverse and nuanced – but all made of paper. Her abstract Colour Feels works are especially mesmerising.

Why paper?

It has been a long and sometimes arduous love affair, but one I can’t shake. Paper is common, unpretentious and banal as an object. It’s like no other material; it can be both 3D and 2D. It can be manipulated, folded, creased, torn, cut, painted on. It’s both fragile and robust. Its ability to transform is magical and whimsical, and surprises me every day.

And abstract art?

In my mind, my work walks this fine line of abstraction and figuration. It sometimes makes reference to textiles and carpets in concept, so its form is important – but beyond that, the textures and colours are often abstract in nature. I like how abstract art requires an unadulterated emotive response by capturing the essence of “things” that figuration can often distract from or miss.

Artists who inspire you?

At the moment, El Anatsui, Yayoi Kusama and Trish Andersen are firm favourites.

Follow karla_nixon on Instagram or visit her website karlanixon.com.

ABDUS SALAAM

This Cape Town poet and artist creates work and meaning across many mediums. He’s particularly known for his abstract “photographic light paintings”, which are made entirely in the dark.

Why abstract art?

It allows for the expression of both inner and outer realities in subtle and profound ways. Abstraction allows me to draw connections with the familiar, like nature, and then invite to a reality that transcends the material.

How do your worlds of poetry and art intersect?

For me, each work, each medium, every minuscule detail within an exhibition or body of work is as a line in a poem that is the central heart of a collection of works. No word out of place, no detail too small or too great. Much like poetry, my exhibitions begin with an empty gallery, a white canvas. I spend time in/with the space I am given, keeping in mind the poems and movements currently flowing in my life. Then, like the words of a poem being written, I see the space as though gradually all of the works have been made and everything has been placed.

What inspires you?

Everything, always. My motivation is to contribute to the beauty and peace of existence through art and poetry, and to invite to the highest values and forms of beauty in our world, both seen and unseen.

Cape Town’s THK gallery (thkgallery.com) is hosting an online exhibition of Abdus’s work, “Falls Of Abundance”, from 9 June, and another show, “Soft As Stone”, in January 2022. It will also exhibit his work at a number of international art fairs later this year.

Follow abdussalaamart on Instagram or visit his website abdussalaam.art.

Looking for more on local art? Take a look at all the local virtual exhibitions, here.

The post South African Abstract Art appeared first on Visi.

“I will always be called crazy for spending so many hours working on something that can break with one wrong move,” Durban artist Karla Nixon told Georgia Chennells.

Karla Nixon manages to make paper cutting look effortless.

A newly graduated student of Fine Arts from Durban University of Technology (DUT), Karla has spent the past two years experimenting with paper cutting. This intricate craft has been around since ancient times, first recorded in China and now occasionally popping up in contemporary art through artists such as Peter Callesen and Bovey Lee.

Karla’s creative foray into this technique began unexpectedly with coursework, an exploration of suburbia and a stencil.

“Most people use the stencil to create something else but I thought the stencil itself way more beautiful,” she explains. Her flair was fortuitously nurtured through exposure to street art through her boyfriend Dane Knudsen, and some encouraging correspondence with both Peter Callesen and Bovey Lee. The result was a most intriguing exhibition held recently at the DUT.

“The fragility of the suburban ideal” was the concept behind the exhibition, where associated notions of perfection, control, rationality and fear are expressed through imagery, pattern and spatial composition. Delicate assemblages are formed through layering, embossing or a pop-out technique (as used in children’s storybooks) and framed, hung or held between panels of glass, suspended from frames or simply attached in situ.

“The more the paper is cut into, the more fragile it becomes,” says Karla of her immersive process. For her the process is integral to the outcome of each piece, whose form is revealed as she cuts away.

Starting with the proverbial piece of white paper and removing, rather than adding, the details, which are all cut by hand and more complex than a doily, are astounding. Everyday images of doors, trees, furniture, houses, pylons and maps take miniature form in fine white sheets but a few millimetres thick.

There is a lot of facade play in Karla’s work, and viewing it is an immersive experience in itself. Look beyond the whimsical playgrounds and wallpaper patterns and you’ll notice the presence of things that seem out of place: barbed wire on wallpaper, armchairs in trees and fences that seem to wholly contain their mundane backdrops. The paper is white but the story it tells is a little bit darker.

So where to next for Karla and her artform? Being first and foremost a fine artist, she is in the process of enrolling to do her Masters at DUT this year. We can, however, look forward to another exhibition later in 2013. She is also toying with the idea of a public installation.

Needless to say, paper cutting in a public space has the potential to be spectacular and fleeting. Best we keep an eye on her then…

karlanixon.weebly.com, www.facebook.com/karlacuts

The post Freshly cut appeared first on Visi.